After four days of frustrating absence due to being a sun poisoning invalid, today I was back at Gournia, alive and kicking! Nothing like alternating fatigue-induced naps and calls to the doctor with entering mind-numbing pottery data into a computer for four days to make one eager to return to Gournia’s hills of blazing heat and a never-ending line of zambilis (buckets we use to transfer dirt from our trench to the dump/rock quarry) to empty. As frustrating as the relative inactivity of the last four days have been, in all actuality it taught me a valuable lesson about archaeology, as put so eloquently this morning by my professor; “At least now you know that sweating in the sun is the fun part”. And oh how true that is.
For every one year that archaeologists spend in the field, cheerfully digging up pottery, jewelry, houses and more pottery, specialists spend three years under tents analyzing all of it. Brave souls, the lot of them. After our hours in the sun each day, we walk up a giant hill on the outskirts of Pacheia Ammos to ‘The Center’, where a variety of characters can be seen flitting about. There are your Indiana Jones characters, the forensic anthropologists, who can look at a cracked skull and tell you in what grisly manner the unfortunate person was dispatched. Athletic, Zen pottery analysts have an eye for detail and spend their hours tranquilly organizing and cleaning the pottery the field workers (us) haul from the site. Bookish pottery experts wear hats too large for their delicate frames and stroll from table to table with furrowed brows and their hands behind their back, making soft noises of discovery or surprise, and make grand pronouncements like “Clearly, this particular delicate etching style categorizes these conical cups as PROTOpalacial, not PREpalacial”, as they point dramatically to the table covered in said conical cups. And we all nod and smile in agreement. But the people I have spent my time with for the past four days are the ladies of the conservation room.
It cannot be overemphasized how carefully guarded the Conservation Room is. You can’t just walk in there whenever you jolly well please. Someone has to ask for you, you have to be summoned. And even then they look you up and down with a scrutinizing eye as you enter, as if to see if you’re a maniac carrying a hammer in your backpack with which to destroy all of their vases. As I was in rather a delicate state these past few days, I suppose they thought I was harmless enough to allow me to work with them. But their care really is for good reason, because when you enter the room, it is shock and awe. Rows of tables are covered in not only pottery sherds, but pots and vases of every shape and size in the process of being put back together again. It’s like walking through the Macy’s beauty department and feeling like your purse is going to knock over a bottle of perfume and trigger the domino effect, pretty little crystal bottles and sparkling glass tables crashing to the ground in one terrible, harmonious symphony. Only this time the stakes are higher, because the Greek government has their eye on every vase on these tables, relying on the pottery experts of the Conservation Room to answer their most deep-seated ancient cultural questions.
The pots look like giant puzzles, which sends my impatient Type A personality into panicked overdrive. I pray to the heavens that’s not how they’re going to make me spend my time. My head already hurts; I don’t need more stress-inducing activities, please. To my relief, they had me sit down by the sink and dig compact dirt out of conical cups, wash them and set them aside to be analyzed later. From my perch by the sink I observed the atmosphere of the room, which I expected to be nothing but professional and stoic because of the responsibility they have on their hands. Far from it. There were six or seven local women working on different projects, sprawled over all the tables, and they shrieked and laughed hysterically and scolded each other all day as they worked on their ancient puzzles. They left me alone to do my work, and I appreciated the quiet of my little corner as I wielded my toothbrush and waited for my headache to go away. On occasion, my supervisor would come check my work and point out a few particles of dirt that I had missed, and at one point she picked up a cup and held it close to her face as I have seen many an archaeologist do, in awe of the handiwork of generations past. Instead, she took one look at it and said “Boy. This is one ugly cup, don’t you think?” Shocked at her bluntness, I looked at it again, and to my amusement it did look rather like a child’s 5th grade art project. Maybe the novelty of Minoan pottery has worn off a little now?
When I wasn’t in the Conservation Room, I entered data into the computer, of every bag of pottery, bone, shell and stone tool that we have found at Gournia thus far, all the while gazing longingly out the window at the shining sun. It was mind-numbing work to be sure, but I was appreciative of the air conditioning. After drinking massive amounts of Gatorade and eating pretzel sticks and salted chips by the bag, I now feel almost fully recovered, and enjoyed my day back at the site. And I’ve realized that as frustrating and exhausting as the work out in the field is at times, I really do love it more than data entry and pottery washing. Some people just really, really like pottery. It’s fascinating to look at for a while, and quite beautiful, but I haven’t been bitten by the pottery bug. I wouldn’t want to spend my days walking on egg shells around tables full of breakable pottery. I want to be outside, swinging the pick ax and watching the dirt fly! And judging from the amount of dirt that fell out of my shoes when I got home, I swung that pick ax like a boss today.